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Grateful Dead Live at Denver Coliseum on 1973-11-21

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Source: 2 Source Matrix by Dusborne Soundboard (shnid:005559) sbd>dat>c>dat>cdr and Audience (shnid:091803) Schoeps CMC34 (ORTF Cardiod) -> Oade Mic Preamp -> Monster M1000 Jumper -> Panasonic sv255. 16 bit 48kHz DAT Master > TASCAM DA-20 (S/PDIF out) -> LynxTWO-B Audio Reference Interface (S/PDIF in) -> Wavelab 6.0
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Source: 2 Source Matrix by dusborne; Soundboard (shnid:93426) Recording Info: SBD -> Cassette Master -> Dat (48k); Transfer Info: Dat (Sony R500) -> VXPocket v2 -> Samplitude Professional v10.1 -> FLAC and Audience (shnid:126082) Recording by Jim Wise: Master Audience Cassette; 2 Sony ECM-280s> Sony D-5; Transfer and FLAC encoding by David Minches: Master played back on Nakamichi Dragon > Korg MR-1000(DSF [1-bit 5.6448 MHz Stereo]) Korg AudioGate > WAV [24/96] > Adobe Audition 3.0> FLAC encoding
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Source: 2 Source Matrix by Dusborne; Soundboard (shnid:095313)SBD -> Dat -> Cassette Master; Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.1 -> FLAC/16 and Audience (shnid:091802) Schoeps CMC34 (ORTF Cardiod) -> Oade Mic Preamp -> Monster M1000 Jumper -> Panasonic sv255. 16 bit 48kHz DAT Master > TASCAM DA-20 (SPDIF out) -> LynxTWO-B Audio Reference Interface (SPDIF in) -> Wavelab 6.0
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Source: 2 source matrix by Dusborne;Soundboard (shnid:95638), Recording Info: SBD -> Cassette Master -> Reel -> Dat (48k),Transfer Info:Dat (Sony D8) -> VX Pocket 440 -> Sharp MV10 -> Samplitude Professional v8.01 ->FLAC -> Adobe Audition v1.5 -> Samplitude Professional v10.1 -> FLAC; amd Audience (shnid:113826), AUD: 2x Nakamichi CM300's > Sony TC-D5M > TDK MA-90's. Set up behind the stage, recorded from the rear-facing P.A. system. Taped by Joe Morrone;
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Source: 2 source matrix by Dusborne; Soundboard (shnid:095781) Recording Info: SBD -> Cassette Master -> Cassette -> Dat -> CD -> EAC -> SHN; Transfer Info: SHN -> Adobe Audition v1.5 -> Samplitude Professional v10.1 -> FLAC; and Audience (shnid:131465) Beyer M-160>Sony TC-D5m; Transfer 1st set MAC>Sony TC-K3es>USBPre2; Transfer 2nd set 1st Gen>Sony TC-K3es>USBPre2; Recorded center directly in back of soundboard; Recorded and transferred By Richie stankiewicz
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Source: SBD -> Master Reel -> Cassette -> Dat -> CD
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Source: 2 Source Matrix by Dusborne; Soundboard (shnid:1234) MR > DAT > CD > EAC > SHN and Audience (shnid:22879) Sony 1-point stereo mic > Sony TC-124) > Nak Dragon playback > ART DI/O > HD > Cool Edit 2000 > master CD > Samsung SW-232B extraction (EAC v0.95 prebeta 4) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1)
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Source: 2 Source Matrix by Dusborne; Soundboard (shnid:095314) SBD -> Dat -> Cassette Master; Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.1 -> FLAC/16 and Audience (shnid:091804) Recording Equipment: Schoeps CMC34 (ORTF Cardiod) -> Oade Mic Preamp -> Monster M1000 Jumper -> Panasonic sv255 6 bit 48kHz DAT Master > TASCAM DA-20 (S/PDIF out) -> LynxTWO-B Audio Reference Interface (S/PDIF in) -> Wavelab 6.0
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Source: 2 Source Matrix by Dusborne; Soundboard (shnid:000172) S:MR > cassette > DAT > CD > EAC > SHN > TLH > flac; Extraction and SHN encoding by G.S. Hamilton and Audience (shnid:120959) Source: taped and remastered by Monte Barry; Sony TC 2850SD portable stereo cassette recorder; Sony ECM 99 single-point stereo mic; mic is hand-held on mic-stand shaft, with arm raised up; FOB center infield, between sbd platform and stage platform;